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Pei-Hsuan Wang

Pei-Hsuan Wang’s practice is rooted in ways of engaging with her identity, much of which is shaped by the artist and her family's diasporic migration from Taiwan to the US. Folklore, family history, bio(mytho)graphical narratives and geopolitical musings are interwoven in her work, which primarily takes the form of sculpture, installation, drawing, and video.

The artist’s recent projects are tributes and prayers to her kinship. Her niece Iris, a first-generation Taiwanese American, has inspired a body of work that imagines racial and cultural hybridity alongside various archetypes in nature and in myths. Animal presences become a kind of guardian and portal, giving form to the inner experience.

Wang has exhibited work at STUK Leuven, the Taipei Fine Arts Museum, and the National Gallery of Indonesia, among others. Recent solo exhibitions include Every Love Story Is a Ghost Story at rhizome_, Kortrijk (2024), Gratitude Is A Colored Vessel at Ballon Rouge, Brussels (2023), Ghost Eat Mud at Kunsthal Gent, Ghent (2022), I've Left My Body to Occupy Others at Good Weather, Chicago (2020), For Iris at Gallery 456, New York (2020), and You Are My Sunshine at Taipei Contemporary Art Center (2019).

Publications & editions

  1. Sine Van Menxel, Michael De Ruyck, Maria Roosen, Pei-Hsuan Wang, Rein Dufait, Hans Segers, Kris Fierens, Ilse Van Roy, Erwin Keustermans & Bert Huyghe A pro pot IV

    Publication

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